Hot on the charts are Ke$sha and T-Pain, otherwise known as “two acts who think that autotune is the new hot shit and use it to disguise the fact that they are only marginally talented, if at all.” I’ve taken in no fewer than five songs by each of these ‘artists.’ Every song was driven by the most basic of beats and structure, following the beaten-to-death formula of 16 bar verse – 4 bar hook – another 16 bar verse – another 4 bar hook – bridge – verse – hook – outro. Music has progressed FAR beyond this formula, but musicians like these (and the rest of the 90% of the billboard top 50) choose to rely upon it despite that fact. Is this such a terrible thing? No. The Beatles first album was rooted in that formula. You can pull it off if you have something to say. These acts do not.

The lyrical content of their songs consist of recollections of nights partying, complete with wholly embarrassing behavior, general cataloging of their belongings and star-friends, and braggadocio. Nothing is being said at all. And the only time the content strayed from that arena was when the songs were about a lover, an ex-lover, or someone with whom they wanted to be lovers. These songs lacked the sincerity that makes love songs work. No vulnerability, no yearning. It’s all very plastic. And as if this trite, assembly-line shit isn’t bad enough, they include (always lately, it seems) autotune. What was once the recording industry’s dark secret – one that helped convince hoards of idiots that Britney Spears could sing – is now brandished and embraced. Autotuning was neat when it was sprinkled in to albums here and there. As a crutch, though, it reeks of laziness and mediocrity.

So my brief visit with the radio is over and probably will be my last. What comes out of the radio is embarrassing, even from the ‘casual listening’ perspective. My exploration of legitimately interesting music created by talented and brave musicians will continue via the method that has proven itself for these last 16 years. I guess I just needed to vent.

(Note: I understand that these musicians may actually be talented and am speaking more about what they choose to put out there.)

So, that’s the book I’m reading right now. It’s an interesting read for sure, but what’s really interesting is the path that led me to it. I was browsing the internet one evening, taking in the usual combination of provocative content and mindless imagery, when I happened upon this video:

That’s Die Antwoord, a South African hip-hop group. After watching that, I giggled heartily and moved on. A couple of days later a coworker mentioned that he couldn’t stop watching Die Antwoord videos. Remembering their name and the enjoyment I got out of the video, I decided to revisit it. I didn’t laugh as much during the second viewing. In fact, I found myself bobbing my head. I watched it a couple more times and realized that I really liked it. The music, their appearance, the cinematography – I liked it all! So I searched on and watched this video next:

After watching that one, I was fully hooked. I took in everything I could, which amounted to a couple of videos of them performing live, a couple of articles, and their official website. Such an interesting group!

The coworker and I passed whatever Die Antwoord content we could find back and forth. We tracked down an extended interview, a bit of pre-Die Antwoord history on the members (notably, Max Normal.tv), and a couple of videos of the fella from the ‘Enter The Ninja’ video. His name is Leon Botha, a friend of the Die Antwoord group, who is one of the longest surviving sufferers of progeria. He’s a visual artist, a DJ, and an all around deep-thinker. After reading about him and watching the below video where he waxes philosophic, I couldn’t help but to be downright intrigued and inspired.

My coworker mentioned that most of what he’s talking about has to do with Hermetic Philosophy, and that I should check out the Kybalion. I threw it on my Kindle, delved in yesterday, and here I am writing about it. I also can’t stop listening to the Die Antwoord and Max Normal.tv albums. I’m hooked!

Here, have a little dessert:

Taxijam presents Die Antwoord from taxijam on Vimeo.